The Letters To Sarah FAQs

It’s been two weeks since the release of Ben Calvert’s EP The Letters To Sarah. It’s been the best received of any of his releases, with a stack of streams already on Spotify and Apple Music. Here we delve into the cogs behind the machinery with some FAQs.

Ben Bucket

Q: What does The Letters To Sarah sound like?
A: It’s the sound of someone trying to work out the heart, mind and actions of another when in a relationship, and when the conversation has ended, trying to solve a hundred questions left unanswered. I was watching The Beatles Get Back when I was writing the EP, and I was trying to channel George Harrison for the opening track, Waiting Around for Your Love. If anyone described A Showsong For Sarah, as ‘a kind of Indie Adele song’, I’d die a happy man. So if any reviewers want to nick that line, feel free. Whereas once upon a time I ended up sounding a bit like Morrisey without intending to, I’ve fully embraced his vibe for The Only Way.

Q: How did you record the EP?
A: On a Boss BR-900CD. It’s a digital portasudio that I used for my 2005 EP love;defenestrated. It’s tempremental AF, though it has a unique sound to it. It’s digital, but an analoguey, warm digital. You can’t edit tracks on it, so every track was recorded in a single take, with no cutting and pasting. So what you hear is each performance exactly how it was sung or played.

Q: Is that a bass you’re playing on some of the tracks?
A: It’s an Fender Telecaster electric guitar run through a Boss Poly Shifter. After experimenting with it for a couple of hours, I managed to get the settings so my guitar sounded simultaneously like a bass guitar and a flute. Though that particular sound wasn’t needed for the tracks.

Q: Can I listen to the tracks individually?
A: I think that’s how the streaming platforms will serve it. For the whole story, listen to them all, in order, and follow the words.

Q: You’re a middle aged man. Shouldn’t you be releasing a collection of songs by other people, called Under The Covers with a selfie of you in bed as the artwork, rather than an EP about unrequited love?
A: That’ll come when I’m in my sixties. I need more greys in my hair for the full-on silver fox look.